Originally inspired by the destruction of artefacts at the Mosul museum in 2015, *Burning, Burning, Burning* reflects the digital reconstruction of these lost objects. Using tourist photos and 3D printing, researchers resurrected several pieces, offering a digital mediation of both memory and the physical artefact. The work, combined with appropriations from T.S. Eliot’s *The Waste Land*, explores themes of cultural desolation, the oppression of women, and large-scale violence. All proceeds of poster sales went to Salam LADC, a hand-picked NGO based in Lebanon who help displaced Syrian refugees.
